Korean Palace Garden

Eugenia Kim won the Border’s Original Voices Best Fiction prize, 2009, for The Calligrapher’s Daughter!! Congratulations from A Traveler’s Library.

Reviewed here. Given as a Giveaway Prize to Laurie Griffin, in our Great Big Travel Literature Giveaway.

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©2012 A Traveler's Library. All Rights Reserved.

A Little Celebration for A Literary Birthday

Yesterday was the one-year-anniversary of the beginning of this blog about travel literature and movies. Actually, I learned a lot more than ten things about blogging in my first year on the job, but I don’t want to keep you here all day, now, do I?

1. People like posts that list 10 things. This is related to why they watch car races and trapeze acts. They’re waiting for disaster. They read fervently hoping you will run  out of steam by “8″ and they can cry triumphantly, “LAME!”
2. On WordPress, choosing a theme is the equivalent of gettting married. You’re going to spend a lot of time together, so take time to get acquainted. Both of you need to be flexible. Give a little on color, get a little on SEO.
3. It takes more time than I thought it would. Writing a blog about Travel Literature means you have to read a lot of books. Some of them are really long books with no pictures. Duh!
4. Guest Bloggers are life (and blog) savers. I truly could not have kept the flow going here without the help of a long list of guest bloggers. (I’m going to go back and tag each guest post with “guest”, so you can find them). I LOVE every one of them.
5. Twitter is myfriend. People will come and see what’s behind the link you drop there, but only if you work extra hard at a clever come-on. ‘See my post on “x”.’ is not clever.
6. Stumble Upon is my friend. S.U. has consistently drawn more traffic to my blog than any other source.
7. Friendship is a two-way street. I spend more time helping on-line friends than writing posts.
8. There is terminology to learn. A post is a one-time thing. A blog is forever (or until you run out of ideas.)
9. (Lame, yet?) To expand upon Woody Allen, 98% of success is showing up more than one day, which is how long it takes most would-be bloggers to run out of ideas.
10. You will never get to read everything in your RSS feed, so get over it.

Coda: Sadly, most people who are reading this post have never been here before, and will never come back again…unless they are moved by my (nearly daily) appeals that go something like this:

If you liked this post, please add A Traveler’s Library to your RSS Feed by clicking that big orange button up at the top of the page. If  RSS sounds like a snake to you, perhaps you would prefer that I send you a personal message every day. I can do that. Subscribe to A Travelers’ Library by Email by clicking on the blue type. And this month, if you subscribe by e-mail, you get THREE chances at the Grand Prizes in my Great Big Travel Literature Giveaway.

And if you want to see another post about blogging go here.

Korean Palace Garden

Don’t forget to enter the Great Big Giveaway by leaving a comment here, and win  a book that takes you to KOREA: The Calligrapher’s Daughter by Eugenia Kim.This beautifully realized book traces the history of a Korean family that survives Japanese occupation and the Korean War. See my review here. Only one day to enter–drawing at midnight tonight MST. Don’t forget–Mention the name of the book in your comment if you want to win it. (See contest announcement to review rules)

Pictures are both through Flickr, with Creative Commons license. Click on the picture to go to the photographer’s page.

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©2012 A Traveler's Library. All Rights Reserved.

Destination: Korea

Book: The Calligrapher’s Daughter by Eugenia Kim

The title of this post, “Travel to Korea,” seems a little misleading.  In fact, this book time travels to a Korea that existed when our grandparents and great-grandparents were around. Calligrapher’s Daughter tells the moving story of a Korean family that lived in isolated country in the first half of the twentieth century.

While individuals in the family reflect various splinters of the society the author does not make them cardboard cutouts, created merely to illustrate her history lesson.

The father of the family, stubbornly intent on preserving traditional Korean culture, shows personal courage in standing up to the Japanese occupiers as a member of the resistance. The mother bends her compliant personality, shaped by Confucianism and Christianity to quietly challenge her husband when it comes to her daughter.

Traditional Korean Hanbok (dress)

The main character, a daughter who has no official name, cannot be traditional enough to please her father, but still dresses in old-fashioned style and is shocked by people who have adopted Western habits.  Public displays of affection, allowing a man to walk beside her instead of in front of her, or the failure to use the proper and sometimes complex form of address embarass her in a way quite foreign to the brash American reader.

When she needs a name, Najin, the birthplace of her mother suffices. She was born shortly after the beginning of Japanese occupation of Korea, and the novel traces her life through increasing oppressive rule, through depression and the “big war,” to the liberation of Korea by American and Russia. The family Najin is born in to is wealthy and lineage-proud, having lived on their estate for many generations. The reader sees how world events affect this family and their friends, but only hear hints of what will happen to Korea after World War II.

In the only part of the book that seems contrived, Najin goes to live in the palace, serving as companion to a princess and lives there at the time of the death of the last Emperor of Korea.

I have never traveled to Korea. Before I read this book, I knew nothing about Korean history before the Korean War in the 1950′s, and American involvement with the divided Korea, and even less about the intricacies of their religious and social culture.  The Christian religion, overlaying ancient Confucianism, motivates the characters in this book.  The internal struggle Najin faces in trying to accept her mother and financé’s belief in Christianity joins her struggle to balance self-expression with proper traditional behavior.

The book lures the modern reader into the life of a more formal past.  In fact, the author echoes the careful, quiet, progress of a proper Korean woman in her choice of emphasis and pace. Sometimes this particular reader was tempted to skip over a few pages and get things moving at a faster pace.  Here is an example from late in the book:

I sipped [the tea],thanking the particles of tea leaves for absorbing the sun’s heat on dewy terraced mountains, growing fat and lustrous, then drying in the same heat, preserving God’s grace in a fragile, fragrant medium for me to drink at this table.

However, if you like your prose lush and complex, you may have more patience than I. And the book is not always written like an ancient Confucian poem, as this passage is. Despite my occasional impatience, my curiosity and the author’s skillful plotting, drove me forward. The author handles dialogue beautifully, bringing each character to life.

I like this book for re-creating for me a time and a place that was totally new. If you are planning to travel to Korea, or just curious about its culture, I highly recommend The Calligrapher’s Daughter. (And I thank Henry Holt publishing for supplying the book for this discussion.)

Have you been to Korea? What surprised you about their culture?

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©2012 A Traveler's Library. All Rights Reserved.