Celtic Colours Festival, Cape Breton Nova Scotia

Destination: Cape Breton Island, Nova Scotia

Music: Celtic Colours Festival

By Kerry Dexter

As October brings a crisp edge to the air and leaves start to take on their autumn colors, music fills the air even more than it usually does across the island of Cape Breton, in Nova Scotia. It’s time for the Celtic Colours International Festival.

Baddeck, Cape Breton, Nova Scotia

Cape Breton, a small island in the far north of Atlantic Canada, has nurtured its own style of music over the centuries, fueled equally by immigration and isolation, by warmth of community and by the astringent life required to make a living from sea, forest, and mine. Many of those who found their way to Cape Breton came from Scotland, and Scotland has remained the strongest presence  as Cape Breton created its own piano, fiddle, and pipe based music  Every year in October, Capers invite the world to share this music on its home ground. Communities across the island host concerts, in venues which range from small community halls, schools, churches, and historic buildings to large performance spaces. Each year they invite musicians from the Celtic traditions of Scotland, Ireland, and the United States as well to join in.

This year, the festival takes place from 7 through 15 October. Musicians who have taken Cape Breton music around the world will be there, among them Mary Jane Lamond, Ashley MacIsaac, and Kimberley Fraser. There will be local and regional favorites as well.

From Ireland, international stars Mary Black  and Niamh Ni Charra will be on hand, Bruce Molsky  and Michael Doucet will come from the US, and Karine Polwart, Emily Smith, and Kathleen MacInnes will be among the artists from Scotland.

The concerts are designed to create and explore connections in the music, with each event (there are several to choose from across the island each evening) hosting three or four artists or groups. Each plays a set on their own, and then all join together at the end of the evening, always a creative and lively experience for musicians and listeners alike.

The warm and welcoming presence of  Cape Breton is found in the music, and in related events which go on during the festival time, including community meals, talks, art exhibits, jam sessions, and the always popular festival club, where people gather just as the scheduled events for the evening are winding down. This takes place at the Gaelic College at Saint Ann’s in the center of the island. Music and craic (good conversation) at the festival club often are still going strong as the sun rises. Baddeck, which A Traveler’s Library visited earlier this year, is also a crossroads for festival goers. You’ll find music and community events going on across the island, from Judique to L’Ardoise to Louisbourg  to Mabou to Sydney to Whycocomagh. (See map here)

There’s nothing quite like being on Cape Breton for Celtic Colours, but there are many fine recordings of the music of Cape Breton. Two of them:
Blueprint  from Natalie MacMaster, finds the top class fiddle player offering a mix of contemporary tunes, traditional ones, and a dash of country influence now and again, reels, jigs, and waltzes along with a lovely slow air, called My Love, Cape Breton, and Me, a song which was sung at her wedding.

Natalie MacMaster Album Cover

Kimberley Fraser plays the fiddle as well, and she’s also a step dancer and plays piano. That triple threat skill at three things which get to the heart of Cape Breton music make her an inspired teacher of the music, and a gifted ambassador for it as well. Her love for all this comes through in her playing  on both sparkling reels and jigs and graceful slower pieces she’s recorded on her album Falling on New Ground.

Original, creative, based in the fiddle traditions of the island and taking those forward a few more steps. each of these albums will make a fine introduction to the music of Cape Breton, and a great refresher course as well.

Kerry Dexter, from Music Road,  is a regular contributor  to A Traveler’s Library, writing about music-inspired travel. 

As a policy of A Traveler’s Library, we tell you about affiliate links. The links included here may make it possible for you to listen to excerpts of the music, and the ones to Amazon in this post are affiliate links. If you buy anything through the affiliate links in this post, you will be supporting the site Music Road. Thank you. The scenic photo of Baddeck is the property of Vera Marie Badertscher. 

Have you ever made your travel plans to coincide with a music festival? Where in the world were you going?

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Music: Eddi Reader Sings Robert Burns (Eddi Reader) and Cuilidh, (Julie Fowlis)

When I travel to a place, I frequently buy music along the way, and when I get home, the music takes me back. I like to put New Orleans jazz on while I’m writing, or listen to bouzoukis when I’m writing about Greece. So I sought the advice of musicologist and traveler Kerry Dexter when I was planning a trip to Ireland last year.  Who should I listen to? Where were the best places to hear traditional music?  What should I buy?

It suddenly occurred to me, that if I am interested in music of a destination, perhaps the travelers who visit A Traveler’s Library would also like some musical advice. So I turned to Kerry Dexter again. She writes here about music for the traveler to Scotland, and tomorrow she will write about music for a traveler to Ireland. You can read more of her recommendations at Music Road, her blog about music and travel.

Kerry says, “As a musician and a writer, I’m most often following the music when I travel. Sound really brings you into a place, I find, whether that be  a place you’ve visited often or one where you’ve yet to travel.”

Sounds of Scotland

Eddi Reader singing at Celtic Connections in Glasgow

When Eddi Reader was growing up in Glasgow, she thought the poetry of Robert Burns she had to read at school — he is Scotland’s national bard — was not for the likes of her, that it was set apart and too fancy. But as a Scot, and as a musician, she began to be drawn to his writing of daily life, of laughter, of love, of the Scottish landscape. Asked to do a couple of Burns songs with the Royal Scottish National Orchestra, Reader agreed. It wouldn’t be your usual orchestral concert, though.

“I wanted it to be a bit of a rough diamond,” she says, “so it’d sort of have that band in bar sound, circa 1787.”

Working with classical arranger Kevin McCrae and folk fiddler and producer John McCusker, she came up with a set of songs which bridged the two ideas. This music became the core of the album Eddi Reader Sings Robert Burns. [Note you can buy, or sample her songs at this Amazon link.] From the inviting Jamie Come Try Me through a quiet take on the familiar Auld Lang Syne, and as well with six bonus tracks added to the original release for the year of Homecoming Scotland, Reader invites the listener in to a musical experience at once conversational and reflective.

There’s  a rollicking Charlie Is My Darlin’, a passionate plea for social justice in Ye Jacobites,  affirmation of friendship in Willie Stewart, and a celebration landscape and reflection on change in Leezie Lindsay, a song which Reader developed from a fragment of  a chorus left by Burns. There’s also Wild Mountainside, by John Douglas, which sets love and trust in Scotland’s highland landscape, and several new jigs and reels interweaving the songs. It’s a set you have to think Robert Burns himself would enjoy.

Julie Fowlis at Celtic Connection, Glasgow

Julie Fowlis knows a bit about history in song too. She sings in Scottish Gaelic,  which she grew up speaking in North Uist in the Western Isles off the north coast of Scotland. No museum pieces on her album Cuilidh,[Note: sample or buy at Amazon at this link] though — even though some of the songs go back centuries, they tell of life and love and work, laughter and humor and what’s for dinner? Whether you understand Scottish Gaelic or not, you’ll hear all those things, along with rhythms of the sea, stories of history, ideas of change, and a taste of how people lightened their lives with song in earlier days, just as we do today.

“The weather was extreme, and the conditions were hard,” Fowlis says. “But they were very expressive people. They were always singing and writing poetry. It could be something light-hearted, like the food on the table or what washed up on the beach, or it could be something completely beautiful.

Hug Air a’Bhonaid Mhor, in English called Celebrate the Great Bonnet, makes a fine and lively opener, and ‘Ille Dunn,’S Toigh Leam Thu, My Brown Haired Boy, is a thoughtful ballad. There are English translations of the twelve songs in the liner notes for Cuilidh (that word means treasure or hidden, and is pronounced cooley), but really, just listen.

***

Kerry Dexter is an independent writer, editor, and photographer. She’s the former folk music editor at VH1.com and at Barnes and Noble Music, and a long time contributing writer to world music magazine Dirty Linen. Her work has  appeared in Strings, Ireland and the Americas, CMT, CBC, Symphony, The Music Hound Guides, and The Encyclopedia of the World History, among other publications. She writes about Irish, Scottish, and other sorts of music, and the creative practice of being a musician, at  Music Road.

Photographs by Kerry Dexter.

If you want to see more about Scotland: Books Suggested by a Reader and Mysteries  Set in Scotland and Kerry Dexter on more Scottish music at Music Roads. And don’t miss Kerry’s  recommendation on Irish Music.

Thanks, Kerry. Kerry will be checking in to reply to any questions or comments you have about her recommendations for Scottish music.

This content is a post from: A Traveler's Library To comment on this post or search for related information, click on the link to A Traveler's Library. We'll leave a light on for you.

©2012 A Traveler's Library. All Rights Reserved.